Afro-Cuban All Stars

 

About

After gaining international fame for reviving the classic sound of Cuban son, tres master Juan de Marcos turned the Afro-Cuban All Stars into a sensational showcase for Cuba’s most prodigious young musicians. While long revered in Latin America and Europe as a founding member of Cuba’s great son revival band Sierra Maestra, de Marcos first gained notice in the US as founder of the Buena Vista Social Club. It was de Marcos who assembled Ibrahim Ferrer, Eliades Ochoa, Ruben Gonzalez and the rest of the crew for Ry Cooder when he came to Havana looking for illustrious old timers. But de Marcos is just as interested in promoting Cuba’s brilliant young musicians as in highlighting Cuba’s senior talent. The Afro-Cuban All Stars not only features a rotating, multi-generational cast; the group draws on both classic Cuban styles, like son and danzón, and contemporary dance rhythms like timba. “What I’m trying to do is create a bridge between contemporary and traditional Cuban music,” de Marcos says. “I’m trying to mix both things so people can realize that Cuban music didn’t stop in time, that it developed in this long period when Cuban music disappeared from the market.”


 

Artist Links: Website  |  Facebook  |  Twitter

Areas of Representation: North and South America, Japan, China

Biography

After gaining international fame for reviving the classic sound of Cuban son, tres master Juan de Marcos turned the Afro-Cuban All Stars into a sensational showcase for Cuba’s most prodigious young musicians. While long revered in Latin America and Europe as a founding member of Cuba’s great son revival band Sierra Maestra, de Marcos first gained notice in the US as founder of the Buena Vista Social Club. It was de Marcos who assembled Ibrahim Ferrer, Eliades Ochoa, Ruben Gonzalez and the rest of the crew for Ry Cooder when he came to Havana looking for illustrious old timers. But de Marcos is just as interested in promoting Cuba’s brilliant young musicians as in highlighting Cuba’s senior talent. The Afro-Cuban All Stars not only features a rotating, multi-generational cast; the group draws on both classic Cuban styles, like son and danzón, and contemporary dance rhythms like timba. “What I’m trying to do is create a bridge between contemporary and traditional Cuban music,” de Marcos says. “I’m trying to mix both things so people can realize that Cuban music didn’t stop in time, that it developed in this long period when Cuban music disappeared from the market.”

Juan de Marcos was born in Havana in 1954 and grew up surrounded by music (his father was a singer and played with Arsenio Rodríguez amongst others). At university he studied hydraulic engineering and Russian before working as a consultant at the Agronomic Science Institute, gaining his doctorate in 1989. While at university he co-founded the group Sierra Maestra in 1978. Styled as a traditional Cuban septeto group (tres, trumpet, bass, percussion and vocals), the dynamic young band’s aim was to bring about an appreciation of Cuban son by the youth of the island. The band achieved great success, recording fourteen albums in Cuba, touring Africa and Europe and receiving various awards.

In 1994, Juan de Marcos began his association with the London based record label World Circuit, when the band recorded the album ‘¡Dundunbanza!’ (WCD041). For this recording, World Circuit’s Nick Gold encouraged the group to expand their line-up to include piano, congas and a trumpet section in a tribute to the forties and fifties styles of Arsenio Rodríguez. Having found success and a common ground, de Marcos and Gold looked to develop this understanding further with a big band recording in Havana, featuring the neglected stars of this ‘golden age’ of Cuban music.

Juan de Marcos had long harbored a dream to put together a band combining the ‘old masters’ and the new generation of Cuban musicians. “I wanted to mix the generations so there is the experience of the older guys and the energy of the younger players”, says Juan. He went in search of his heroes and found many of them ‘retired’ from music, forgotten figures delighted that someone was showing faith in them. He recruited the singers Manuel ‘Puntillita’ Licea, Pío Leyva and Raúl Planas, all in their seventies. Despite the doubts of others in his ability to still reach the heights, he approached the legendary pianist Rubén González. Rubén did not own a piano, so Juan found him a place to practice and encouraged him to rehearse with his chosen bass player, Orlando ‘Cachaíto’ López. Juan continued to assemble his dream band and the AFRO-CUBAN ALL STARS were born.

Juan de Marcos and Gold planned to record two albums in Havana’s EGREM studios in 1997: the debut from the All Stars and a collaboration between West African and Eastern Cuban musicians for which Gold had invited Ry Cooder as producer. Due to passport complications the African musicians were unable to travel to the recording. However, the two week recording trip yielded an extraordinary trio of albums: The debut albums from the AFRO-CUBAN ALL STARS ‘A Toda Cuba le Gusta’ and RUBEN GONZALEZ’ ‘Introducing…’ and the BUENA VISTA SOCIAL CLUB.

The All Stars album was the first to be recorded and Juan de Marcos’s band provided both the springboard and many of the musicians for the Buena Vista album that followed. The All Stars’ rhythm section was retained along with the band’s trumpet soloist ‘Guajiro’ Mirabal, pianist Rubén González and various singers. The great Santiago guitarist and singer Eliades Ochoa and the laoud player Barbarito Torres had already been recruited at Gold’s suggestion. The day after the All Stars album was completed Ry Cooder arrived in Havana to be greeted by this ensemble for the start of what was to become the Buena Vista Social Club. Other musicians were added during the sessions including the singer Ibrahim Ferrer (who was at the time also ‘retired’) whom Juan contacted and brought to the studio within hours of Cooder’s request for a ‘singer with a soft voice’. Juan de Marcos acted as consultant, coordinator and conductor during the sessions and when Gold suggested making an album with Rubén González in the two days remaining, Juan was recruited as musical director for that project as well. In 2000, he also collaborated on the debut album by Ibrahim Ferrer.

Following the albums’ release Juan de Marcos led the Afro-Cuban All Stars and Rubén González on their debut European and U.S. tours and directed the only ever two Buena Vista Social Club concerts in Amsterdam and New York’s Carnegie Hall.

Despite the new-found worldwide success of Cuban music, it is the appreciation of the music within Cuba itself that Juan de Marcos finds most satisfying. “When you live in an isolated country you always think things are better elsewhere. Because of that the influence of American music has been very strong. People were trying to play American music before they learned Cuban music. We have to use what is good from around the world, but first we have to be conscious of the importance of our own music. A few years ago young Cuban musicians didn’t care about real Cuban music. Now there are hundreds of bands playing traditional music. Of course music will change, there will be new dances and styles. But we are going to keep the roots. I am very confident about that.”

The impact of these albums internationally would also affect the music industry in Cuba; not only did it resurrect the career of several ‘forgotten’ legends, but left the record buying public worldwide with an appetite for Cuban music, and a receptiveness to new recordings that previously didn’t exist. As for the Afro-Cuban All Stars, they evolved from being a musical dream, to a one-off recording, to the formation of a full-time touring and recording group.

Having been instrumental in the formation of the project, Juan de Marcos moved center stage with his new edition Afro-Cuban All Stars and their ambitious new, forward-looking album ‘Distinto, diferente’. “We have to use all the heritage of Cuban music to create a sound of the future,” says Juan. “It’s important to have that continuity and to fight for the identity of Cuban music.” Whilst retaining the stars of the debut album, the follow up record brought in some additional legendary figures of Cuban music including Omara Portuondo, Lina Borges, Polo Tamayo, Jesús ‘Aguaje’ Ramos, and Amadito Valdés. Some prominent names from current generation of Cuban music such as Orlando ‘Maracas’ Valle, David Alfaro, and Yaure Muñiz, showcased their talents on this album. The result is again multi-generational but with a sound much closer to the vanguard of Cuban dance music, with lyrics – in some cases – that have even greater social relevance now.

Juan de Marcos is not a man to stand still and although he will continue his association with World Circuit, Juan formed his own production company/ record label, ‘ DM Ahora’ to deal with the wealth of talent in Cuba. In addition to his continued involvement with the development of Cuban music, Juan de Marcos has also maintained the Afro-Cuban All Stars as an active touring band, performing to ecstatic audiences around the globe. 2004 saw the release of a live CD/DVD from the group, and the accompanying tour included a series of concerts with World Circuit’s Senegalese superstars Orchestra Baobab. The long awaited third studio album from the group ‘Step Forward’ was released in 2005 on DM Ahora, and the group embarked on a world tour continuing through 2006.

What direction the Afro-Cuban All Stars go in next remains to be seen, but with Juan de Marcos at the helm, one can be sure they are in safe hands.

Discogs.com

Tour Dates

Future Tour Dates

View Tour History

Jan 10, 2020 Get Info/Tix
South Orange, NJ USA South Orange Performing Arts Center
8:00 PM  
Jan 11, 2020 Get Info/Tix
Boston, MA USA Berklee Performance Center
8:00 PM  
Jan 12, 2020 Get Info/Tix
Tarrytown, NY USA Tarrytown Music Hall
7:00 PM  
Jan 14, 2020 Get Info/Tix
Phoenix, AZ USA Musical Instrument Museum (MIM)
7:00 / 9:00 PM  
Jan 15, 2020 Get Info/Tix
Phoenix, AZ USA Musical Instrument Museum (MIM)
7:00 / 9:00 PM  
Jan 17, 2020 Get Info/Tix
Tucson, AZ USA Rialto Theatre - Tucson
7:30PM  
Jan 18, 2020 Get Info/Tix
Berkeley, CA USA Freight and Salvage
8:00 PM  
Jan 19, 2020 Get Info/Tix
Berkeley, CA USA Freight and Salvage
7:00 PM  
Jan 23, 2020 Get Info/Tix
Eugene, OR USA Jaqua Concert Hall
7:30 PM  
Jan 28, 2020 Get Info/Tix
Seattle, WA USA Triple Door
7:30PM  
Jan 29, 2020 Get Info/Tix
Seattle, WA USA Triple Door
7:30PM  
Jan 30, 2020 Get Info/Tix
Minneapolis, MN USA Dakota Jazz Club & Restaurant
7:00 / 9:30 PM  
Jan 31, 2020 Get Info/Tix
N Bethesda, MD USA Music Center at Strathmore
8:00 PM  

Tour History

Return to Future Tour Dates

2019
May 5, 2019 San Francisco Jazz Festival Venue Info
San Francisco, CA USA Miner Auditorium
7:30PM  
May 4, 2019 San Francisco Jazz Festival Venue Info
San Francisco, CA USA Miner Auditorium
7:30PM  
May 3, 2019 San Francisco Jazz Festival Venue Info
San Francisco, CA USA Miner Auditorium
7:30PM  
May 2, 2019 San Francisco Jazz Festival Venue Info
San Francisco, CA USA Miner Auditorium
7:30PM  
Apr 27, 2019 Venue Info
Eugene, OR USA Jaqua Concert Hall
7:30PM  
Apr 26, 2019 Venue Info
Edmonds, WA USA Edmonds Center for the Arts
7:30PM  
Apr 23, 2019 Venue Info
Durham, NC USA Carolina Theatre
8:00PM  
Apr 20, 2019 Venue Info
Rochester, NY USA Kodak Hall - Eastman Theatre
7:30PM  
Apr 18, 2019 Venue Info
Selinsgrove, PA USA Degenstein Center Theater - Susquehanna University
7:30PM  
Apr 17, 2019 Venue Info
West Hartford, CT USA Carol Autorino Center for the Arts
7:30PM  
2018
Aug 5, 2018 Venue Info
Lancaster, PA USA Long's Park
7:30  
Aug 4, 2018 Venue Info
Washington, DC USA The Hamilton
9:00PM  
Feb 3, 2018 Venue Info
Atlanta, GA USA Georgia State University - Rialto Center for the Arts
8:00 PM  
Feb 1, 2018 Venue Info
Paris, FRANCE New Morning
9:00 PM  
Jan 31, 2018 Venue Info
Mainz, GERMANY Frankfurter Hof Mainz
8:00 PM  
Jan 29, 2018 Venue Info
Dortmund, GERMANY Konzerthaus Dortmund
8:00 PM  
Jan 28, 2018 Venue Info
Stockholm, SWEDEN Studion, Stockholm City Theatre (Kulturhuset Stadsteatern)
8:00 PM  
Jan 27, 2018 Venue Info
Zurich, SWITZERLAND Jazz Club Moods
8:30 PM  
Jan 26, 2018 Venue Info
Helsinki, FINLAND Kulttuuritalo
6:30 PM  
Jan 25, 2018 Venue Info
Arnhem, NETHERLANDS Luxor Live
8:30 PM  
Jan 23, 2018 Venue Info
Hamburg, GERMANY Laeiszhalle Hamburg, Great Hall
8:00 PM  
Jan 22, 2018 Venue Info
Glasgow, UK Glasgow Royal Concert Hall
7:30 PM  
Jan 21, 2018 Venue Info
St. Polten, AUSTRIA Festspielhaus St. Polten
7:00 PM  
Jan 19, 2018 Venue Info
Northridge, CA USA Valley Performing Arts Center, Great Hall
8:00 PM  
Jan 17, 2018 Venue Info
Berkeley, CA USA Freight and Salvage
8:00 PM  
Jan 16, 2018 Venue Info
Berkeley, CA USA Freight and Salvage
8:00 PM  
Jan 14, 2018 Venue Info
Boston, MA USA Berklee Performance Center - Berklee College of Music
7:30 PM  
Jan 13, 2018 Venue Info
New York, NY USA Highline Ballroom
8:00 PM  
Jan 12, 2018 Venue Info
Philadelphia, PA USA Kimmel Center - Merriam Theater
8:00 PM  
Jan 11, 2018  
Port Washington, NY USA Jeanne Rimsky Theater - Landmark Theater
7:30 PM  
Jan 10, 2018 Venue Info
South Orange, NJ USA South Orange Performing Arts Center
7:30 PM  

Videos

News

  • Hermeto Pascoal Wins 2019 Latin Grammy Hermeto Pascoal Wins 2019 Latin GrammyWe are very pleased to announce that on November 14, 2019, the 2019 Latin Grammy was awarded to Hermeto Pascoal in the category Best Portuguese Language Roots Album for his recording “Hermeto Pascoal E Sua Visão Original Do Forró” – Hermeto Pascoal (Scubidu Music).
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    But 12 years later, Sawhney, ...
  • NYTimes’ Paul Krugman at DakhaBrakha Concert NYTimes' Paul Krugman at DakhaBrakha ConcertPaul Krugman is the New York Times Op-Ed columnist who holds forth on macroeconomics, trade, health care, social policy and politics.  He is the author or editor of 27 books and more than 200 papers in professional journals and edited volumes. And he loves DakhaBrakha!
    In June, he attended their concert in New York City and ...
  • Hermeto Pascoal Featured in Jazz Journal Hermeto Pascoal Featured in Jazz Journal

    Hermeto Pascoal, that crazy Brazilian albino
    David Block ventures into the eccentric musical world of the intuitive multi-instrumentalist who became a global jazz name when he played on Miles Davis’s 1970 album Live-Evil

    By
    Jazz Journal – February 27, 2019

    Hermeto Pascoal is an enigma. He creates music out of almost any object that he can get his hands ...

Press

“…delirious brass, trance piano patterns and irresistible rhythms which got the entire audience dancing. Suddenly a warmly received gig turned triumphant, almost transcendent. Half the band with slightly crumpled white suits conga-ed through the crowd. At its best, as on those tracks, it’s actually hard to beat this kind of music – soulful, technically brilliant, sexy and uplifting.”  – The ArtsDesk


“González has probably done more than any other person to bring traditional Cuban music to audiences outside the island.”  – Miami Herald


“Whenever musicologists study the colorful sounds of the Cuban diaspora, it’s nearly impossible for them not to mention Juan de Marcos González and his Afro-Cuban All Stars” – Village Voice

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Afro-Cuban All Stars Rider: Download (pdf)

 


 

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