From Corrèze to the World

Mark Sampson chats to the dynamic French vocal sextet San Salvador during a brief moment at home in south-west France following a whirlwind 18 months of international touring.

From the tiny hamlet in which this group of childhood friends rehearse, you look across verdant, rolling pastures to the Monédière hills on the horizon. This is San Salvador’s territory: a part of the Corrèze, the ‘green country’ of La France Profonde, that’s virtually unknown to tourists. On my way here, I take a detour to look at the village of Saint-Salvadour, where the six members of the exciting polyphonic vocal group grew up together. By minor road from there to the rehearsal space they built together behind the house of Gabriel Durif, the group’s lead voice, you pass nothing but a few sombre looking farms and an occasional timber lorry….

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Hermeto Pascoal Wins 2019 Latin Grammy

We are very pleased to announce that on November 14, 2019, the 2019 Latin Grammy was awarded to Hermeto Pascoal in the category Best Portuguese Language Roots Album for his recording “Hermeto Pascoal E Sua Visão Original Do Forró” – Hermeto Pascoal (Scubidu Music).

When Nitin Sawhney was offered an OBE in 2007 for services to music, his father asked him to accept the order of chivalry for his birthday – but he turned it down, citing the Iraq War and saying he “could not handle the idea of the word ’empire'” after his name.

But 12 years later, Sawhney, 55, accepted a CBE in the 2019 New Year’s Honours list – as a way of paying tribute to his Indian parents’ “immigrant experience”.

Appearing on BBC Radio 4’s Desert Island Discs, the musician and composer told presenter Lauren Laverne all about the racist bullying he faced growing up in Rochester, Kent, in the 1970s.

Sawhney admitted that the physical and verbal attacks he experienced gave him a sense of “loathing” for the person that he was.

He told Laverne that, when he was offered an OBE in 2007, his father asked him to accept the order of chivalry for his birthday – but Sawhney refused, citing the Iraq War and his issues with the idea of ’empire’.

But Sawhney, who received the Ivor Novello Lifetime Achievement Award in 2017, admits that he has softened now – and took it as a “sign” when he was offered a CBE on what would have been his father’s birthday last year.

“I’m into signs so I kind of thought, ‘OK, I’m going to take it because it feels like I should,” said the musician, whose father passed away in 2013.

“I took it also because of the time we’re in. I wanted to acknowledge my mum and dad’s immigrant experience.

“And that’s what my dad said to me, ‘we worked really hard and we came here to give you a better life’.

“And that OBE at the time would have symbolised that.”

Sawhney was born to Indian parents in London in 1964, and attended school in Rochester, Kent.

Today, he can be recognised for his collaborations with everyone from Sir Paul McCartney, Sting, and the London Symphony Orchestra, to Ellie Goulding, Shakira and Taoi Cruz.

The Mercury Prize nominee once even met Nelson Mandela while recording an album.

But, opening up to Laverne about his childhood, Sawhney admitted that he had his fair share of “bad experiences”.

He said: “We had the National Front leafleting every day outside the school gates.

“Being followed home by a guy in a van with a loud hailer shouting racist abuse at me was pretty crazy as well.

“There was part of me that has a bit of loathing for that person. I actually felt that that person was a bit weak and pathetic.

“It’s odd, isn’t it, that that kind of mentality stays with you that you kind of feel a sense of shame about abuse of all kinds and trying to get past that is a real journey.

“In some ways that negativity, that feeling of shame, actually drove quite a lot of my creativity at the time. I wanted to not feel that way.”

Sawhney’s Desert Island Discs included Ennio Morricone’s A Fistful Of Dollars theme from the hit Western film, and Joni Mitchell’s Big Yellow Taxi.



Paul Krugman is the New York Times Op-Ed columnist who holds forth on macroeconomics, trade, health care, social policy and politics.  He is the author or editor of 27 books and more than 200 papers in professional journals and edited volumes. And he loves DakhaBrakha!

In June, he attended their concert in New York City and added this to the bottom of his weekly email newsletter:

Facing The Music

DakhaBrakha is a Ukrainian band that isn’t quite like anything else — no, it isn’t traditional folk music, it’s a wild fusion of influences from all over. I saw them live on Saturday, and they were even more awesome than I expected.